影片
围绕 Carl De Moncharline 及其场所的档案影像、报道、宣传影片和活动花絮。
Mirano Continental · 2026
在 2026 年的这段证词中，Carl De Moncharline 回顾了 Mirano Continental––这家他从 1990 年代初开始担任艺术总监的布鲁塞尔俱乐部。他强调，一个场所的灵魂不在于墙壁，而在于运转它的人：他以收杯子的身份进入，试图理解每一个齿轮，最终发现了一个创意枢纽––这里首次在布鲁塞尔播放 house 和 techno，主题之夜如 "Bal des solitaires" 和 "Nocturnes fora…
Mirano Continental · 2026
本集由 Thomas Purcaro Decaro（Abyssal Process）执导，Lorenzo Serra 与 Renaud Deru（Cosy Mozzy）共同回顾 Mirano Continental 的 Dirty Dancing 之夜。该企划于 2003 年启动，距 Carl De Moncharline 1994 年离开已近十年，当时这家场馆仅作为出租场地运营。两位组织者摆脱历史规范的束缚，以每周国际阵容（Laure…
Mirano Continental · 2026
本集由 Thomas Purcaro Decaro（Abyssal Process）执导，融合了活动策划人兼舞美设计师 Arnaud Leclercq 与驻场 DJ Olivier Gosseries 的双重视角。Arnaud Leclercq 于 2003 年底与 Paul Sterck 一同加入，距离 Carl De Moncharline 于 1994 年离开已近十年，他在 2004 年至 2010 年间为俱乐部重新注入了兼具奇观…
Arnaud Leclercq : It's like an iceberg, there's the top. That's what you see here, that's what we're filming, that's the top. But the reality is all the ice underneath.
Arnaud Leclercq : As for us, we arrived at the Mirano at the end of 2003, worked for six months in 2003 with Paul, and launched the project in early 2004. And we wrapped up in 2010. And we brought that touch of madness that's in the name, actually. It's unexpected, it's hot, this spectacle, this return of glamour. We came with stilt walkers, we came with fire breathers, we went baroque, if you will.
Olivier Gosseries : Once you walked into the Mirano, everything became possible. It was the place where everything became possible. The most improbable things could happen. And I was captivated because, right away, I understood the theatrical side of the place.
Olivier Gosseries : I found myself at the Mirano at sixteen, in '86. From the moment I walked into the Mirano, my only dream was to work there, to be able to play music. There were three hundred of us who wanted that spot, and I met the first DJ of the Mirano, whose name was Jean-Claude Maury. So, I met the master.
Arnaud Leclercq : You'd walk in, you'd go: "Wow!"
Arnaud Leclercq : It's not just a nightclub, it goes beyond a nightclub. It's a temple, because that's the Mirano's advantage: it's a performance venue. It's truly a place that breathes entertainment, with seven-meter-high ceilings that allowed us to do crazy aerial shows.
Olivier Gosseries : All the codes of modern clubbing were born with the Mirano in Brussels. All forms of art came together there.
Arnaud Leclercq : The improv league, the first cyber-theatre, digital cafés, and so on. And thousands of ventures that happened, exhibitions, film premieres. It's a cultural venue, because basically, it's a theatre.
Olivier Gosseries : You have to know that the Mirano was always avant-garde, for everything, including music, up to a certain point. Carl De Moncharline, his mission was precisely to restore the Mirano's music to its former glory. And then, ten years later, in 2003, another change, but with a sense of continuity, with Dirty. I took part in that adventure, actually, Dirty. A good DJ is first and foremost about feeling. The DJs who left the biggest mark on me, the ones who influenced me the most, were DJs who didn't have great technique, but who had extraordinary programming.
Arnaud Leclercq : Generally speaking, when you do scenography, you build a nice set, you stage it and it plays out, and people watch. For us, it's the exact opposite. They definitely shouldn't just watch. At some point, the set has to disappear so the adventure can begin, their personal adventure.
Arnaud Leclercq : The Mirano was a place everyone had already been to. You had to put your own stamp on it so they'd feel it was different, new. That's the magic of it, you know. It was done with just a few elements: the lighting, the decor. We managed to make a statement, to make sure we pulled people into a universe.
Olivier Gosseries : Today, a DJ isn't just someone who plays records. They have a certain image to cultivate on social media, that's become important today. In substance, the job hasn't changed. In form, it has.
Arnaud Leclercq : We lived through the digital age and then the transition. The chandeliers were changed during the Dirty era, with the arrival of LEDs. Being able to change the color without a guy climbing up for forty-five minutes to put on a gel. I did shows where people were hidden in the chandeliers at the start of the scenography, and then they'd rise, and people didn't expect it. If you look at the photos, if you look at everything, you'll see that people... That's why we were instagrammable before Instagram.
Olivier Gosseries : Every DJ I knew dreamed of working at the Mirano. The Mirano always had that magical side where, as soon as you find yourself behind the decks, something happens. Something quite unique that I've rarely experienced elsewhere. It's part of the walls. It has a soul.
Arnaud Leclercq : For me, the Mirano was the greatest school. And I had the greatest teachers. Whether it was Yves Croiset, Vincent Dallemagne, Jacqueline Kuzee, who brought me to the Mirano. Marco, Paul... There were of course the bartenders, starting with Wim, who had his own bar. There were the lighting technicians, there were the people who came for the sound. The Mirano is all of that. It's one of the rare places where I took on interns. Thomas, well, that's it. I saw that he had potential and I passed those things on to him.
Arnaud Leclercq : As I always say, like a Padawan with a Jedi.
Olivier Gosseries : The day they officially hired me as a resident, my dream came true, you know.
Arnaud Leclercq : We were incredibly lucky because the Mirano is the Louvre.
Mirano Continental · 2026
本集题为 New Stories，由 Thomas Purcaro Decaro (Abyssal Process) 执导，汇集了当时的经营者 Luan Kolgjini、主持人 Laura Beyne、创意人 Romain Garcin、表演者 Beba Storm 和 DJ Zoey Hasselbank。影片追溯了 Mirano Continental 在这一时期向 hip-hop 和城市文化的转型。呼应 Carl De Monc…
Luan Kolgjini: I knew the Mirano from its great years. It was the place everyone dreamed of getting into. It was truly the cult spot of nightlife. I went there as a customer… But as the owner of the place, it was something else.
Laura Beyne: I have older brothers and sisters who were already going there back then. And then, when I was old enough to go out, I thought: "Why not, just once, go see what everyone is talking about?"
Romain Garcin: When I arrived in Brussels, I worked in small bars where I remember the cooks were old-timers who told us about their nights at the Mirano. They were fifteen or sixteen at the time and nearly sixty when they told us about it.
Beba Storm: When I see the Mirano, so many images come back. So many nights I relive, as a customer or when we performed there.
Zoey Hasselbank: It's a magnificent club. It's big. I don't know how to explain it, it's an experience.
Luan Kolgjini: When the opportunity came to take over the Mirano, it was a great opportunity. Especially since the Mirano has a history. Madonna, Prince passed through there. It was a new challenge for me. First, I surrounded myself with people who were already in the nightlife scene: DJs, artistic directors, people who master social media. That universe, that identity, well, it wasn't mine. Over the years, I evolved, I learned about everything. And here I am today, well established in the nightlife scene.
Laura Beyne: When I had been elected Miss Belgium, I was invited and so I arrived in front of the club. I was truly welcomed like a princess. Really, I had two bodyguards who took me up to the VIP area. It was quite impressive because I was nineteen and we had a truly memorable evening.
Luan Kolgjini: Having a date there is never simple for a DJ. I lost many litres of water that day because I really tried to give it my all.
Zoey Hasselbank: I mixed there two or three years ago. A good DJ, to me, is someone who knows how to make people dance. Man or woman, it doesn't matter. It doesn't matter at all.
Luan Kolgjini: For me it's the number one club in Belgium today. Even if it has faded a bit lately, it remains number one. It was hard to sell it. We did it. We left through the back door. But it was a great experience. A very, very great one.
Luan Kolgjini: It's a club that gave momentum to other clubs. It's one of the first clubs that really brought hip-hop in. They opened a lane for other people.
Luan Kolgjini: I saw this evolution happening, how it was going. And we really told ourselves there was something to play for. And that's why we went for another musical colour, towards hip-hop.
Laura Beyne: A few years ago, listening to hip-hop was a bit frowned upon.
Beba Storm: There was something forbidden about it because those were, for me, the first albums where I saw written: "Parental advisory required".
Romain Garcin: It was hyper codified as being aimed at a male audience. Now it has taken another turn and we've arrived at something that appeals to the widest audience.
Zoey Hasselbank: From the start, I took risks. I just bought my equipment and jumped in because I love music too much. I feel like the hip-hop scene in Belgium is starting to exist. Everyone is starting to support each other and we're rising together.
Beba Storm: We were also able to show that it's a coming together. It makes me happy to see Whites, Blacks, Rebeux all together. They all dance together, they sing the same lyrics. There's good and less good, as in all music, but it's a music that is respected today and fully belongs in clubs.
Romain Garcin: An art that is popular is, precisely, destined to spread through all social classes.
Luan Kolgjini: The first artist I booked was Drake. I did Wiz Khalifa, A$AP Rocky, at the Birdy and the Spirito. And that's when I saw this enthusiasm, this demand. I think I've really done all the French elite: Booba, Gims, Lacrim, Kaaris… And so many others. And it was also a success.
Romain Garcin: We work with quite a few artists, mainly rappers, in order to develop their album covers, to start with, and their image as well. With the arrival of streaming, what has completely changed is that the physical album format exists less and less. We have this square format which is much wider and much more conducive to creation, because we're not limited by track placement, with a marketing aspect that is completely different now.
Luan Kolgjini: It's not just music, it's a lifestyle, it's a fashion universe. So you see certain footballers playing on the same team as the artists. There, that's a strong message.
Zoey Hasselbank: I'll give the example of Lil Pump. He drops a track, "Gucci Gang", and everyone is like: "Gucci, Gucci". Just because a track came out, everyone follows.
Laura Beyne: When you see, for example, houses like Balmain asking Kanye West, a rapper, to be their face, you can really see that hip-hop is current at every level.
Luan Kolgjini: It's the movement of the present. Clearly. For me, it's the music that will blow up even more in the years to come.
Romain Garcin: Besides, today rappers are rock stars. You see it during concerts, during interviews, in their personality, in the risks they take. They are the new rock stars.
Zoey Hasselbank: Hip-hop is the future.
Mirano Continental · 2026
本集由 Thomas Purcaro Decaro (Abyssal Process) 执导，汇聚了艺术总监 Yves Ruth 和 Nicolas Logelain，以及 Mirano Continental 的多位历史人物，从 Aldo Gigli 和 Paul Sterck 到 Carl De Moncharline, Lorenzo Serra, Renaud Deru, Arnaud Leclercq, Olivier Gos…
Carl De Moncharline: This whole Mirano story… it's trying to put words, after the fact, on something where there really aren't any words. These are things we lived.
Lorenzo Serra: You have to go sit inside it for 30 minutes, and if the walls don't speak to you, well, don't try to do something there.
Arnaud Leclercq: The venue is incredible, but it can still have a second youth.
Yves Ruth: When you open a club, when you do a reopening, there are several aspects: artistic direction, taste, musical choices, musical culture, whether for electro or for more urban crowds.
Nicolas Logelain: We will have to succeed in offering a cultural programme that is in tune with the codes Brussels people have always known, but also with the new codes coming from outside. So it's going to be quite a challenge.
Yves Ruth: The artistic director's job becomes really interesting when you allow people to have that palette of discoveries between experience and renewal, but where everything is connected, because there is a desire to make people discover, a desire to thrill them, a desire to make people move.
Nicolas Logelain: That's exactly what drives and motivates us. It's telling ourselves that we're going to try to shake things up and offer something new. And I think that's very much awaited.
Luan Kolgjini: My advice is to surround yourself well. You really need to surround yourself with people who love the night, who love music, who love the place. The Mirano has a history, as I said. It needs people who are up to that history.
Renaud Deru: You really have to approach the Mirano with respect and humility. I didn't arrive like a mercenary going: 'OK walls, it's cool, I'm going to blow the place up.' No, no. I listened to it. I tried to understand… and then we totally nailed it.
Lorenzo Serra: Yes.
Yves Ruth: I think, somewhere, the most beautiful challenge of the reopening is that they gave themselves the desire and the idea of using two artistic directors for two different universes.
Nicolas Logelain: It's more urban music meeting electronic music. I think it's a marriage that is bound to exist in the very near future.
Yves Ruth: We don't step on each other's toes, we complement each other.
Nicolas Logelain: We feed off each other and off each other's ideas. It has to be an experience – I'm not saying unique – but at least different, something that leaves a mark.
Romain Garcin: The Mirano has a historical strength it has to play on.
Jean-Pierre Mels: Multiply yourselves, multiply the facets of the Mirano.
Olivier Gosseries: A right balance between mainstream and underground.
Nicolas Logelain: Culture has evolved a lot, so I think the primary job of an artistic director is really to feed on everything that's being done, and not only within the universe that belongs to us. We have to find influences elsewhere in order to constantly offer new things. The advantage we have with the Mirano, I think, is that it's a cultural showcase. Known and recognised for decades. For the youngest generation, it's a disco. But for some people it's still a concert hall, for others a cultural hall, a theatre.
Nicolas Logelain: A podium where fashion shows took place. There, I think it has many labels. Artistically, what we can offer is a mix of all the identities it has had in the past, while obviously constantly proposing something new.
Luan Kolgjini: The Mirano must come alive again today. The Mirano is the flagship club here in Brussels.
Paul Sterck: I think they have the intellectual means, the creative means. And I found them, like us back then, willing to listen. And that, I think, is important.
Aldo Gigli: It's a place I loved so much, it's like a baby. I found it fabulous that a new generation would take it over to do something in that spirit. I find it fabulous.
Olivier Gosseries: It's looking good. We already want to be there.
Arnaud Leclercq: Knowing this baby is in good hands, what a pleasure.
Jean-Pierre Mels: The place has a soul. So, enjoy it. Enjoy it.
Carl De Moncharline: These are different stories. They are different Miranos. They all have their reason for being, they all have their code. And each time they are periods that have died and that were beautiful periods. We wait for the next one.
Aldo Gigli: I hope so. Lots of luck. It's going to be thunder.
L'Impérial · 2023
2023年10月16日，由卡尔·德·蒙夏尔林创立并担任艺术总监的Impérial Premium Bar Brussels将迎来Roby Lakatos的现场音乐会。这位国际知名的匈牙利小提琴家，被誉为“魔鬼小提琴手”，以其非凡的精湛技艺而闻名，是追溯至János Bihari的传奇罗姆小提琴家王朝的后裔。他曾与Herbie Hancock、Quincy Jones、Vadim Repin和Stéphane Grappelli同台演出，…
L'Impérial · 2023
2023年2月11日，Impérial Premium Bar Brussels 迎来了 Caparros & Cupper 四重奏的现场音乐会。这份档案反映了该场所的音乐节目安排，由 Carl De Moncharline 构思和指导，旨在打造一个香槟文化与俱乐部文化交汇的空间。
L'Impérial · 2023
2023年4月8日，Impérial Premium Bar Brussels 举办了 Julien Delbrouck 四重奏的现场音乐会。这份档案展示了该场所的爵士乐和现场演出节目，由 Carl De Moncharline 构思和指导。
L'Impérial · 2023
Sal La Rocca & Friends 于2023年5月27日在 Imperial Premium Bar Brussels 举行的现场表演档案，由 Carl De Moncharline 担任艺术总监策划。
L'Impérial · 2021
2021年5月1日，Impérial Premium Bar Brussels的Aftermovie，Prezy on the Moon，由Carl De Moncharline担任艺术指导。
L'Impérial · 2019
2019年6月17日，Impérial Premium Bar在布鲁塞尔开业。这部Aftermovie捕捉了该场地的发布氛围，该场地由Carl De Moncharline设计并运营，作为布鲁塞尔夜生活的一部分，融合了香槟和俱乐部文化。
L'Impérial · 2019
2019年10月11日，Impérial Premium Bar Brussels举办了由Carl De Moncharline构思的“La Nuit des Cabinettards”（内阁之夜），这是一个充满讽刺意味和节日气氛的夜晚。在这段回顾视频中，比利时政界人士身着盛装，在政治讽刺和俱乐部文化的氛围中，受邀在布鲁塞尔夜生活的节奏中放松身心，视频捕捉了当晚的独特氛围。
Le Flore · 2019
2019年La Folle Comm在Le Flore与Carl De Moncharline共同举办的「Trouve ton stage/stagiaire」下班后活动存档。
Le Flore · 2019
2019年拍摄的Le Flore航拍图，作为Carl De Moncharline管理的场地活动的一部分。
Balloon's Day Parade · 2019
visit.brussels于2019年9月7日发布的视频，展示了布鲁塞尔漫画节期间的Balloon's Day Parade，由Carl De Moncharline制作。
Night Fever · 2018
本宣传视频制作于2018年，正值 Design Museum Brussels 举办“Night Fever：设计俱乐部文化 1960 – 至今”国际展览之际，强调了设计和场景布置对夜生活历史的影响。作为夜生活记忆的一个重要里程碑，该活动重点展示了在 Carl de Moncharline 推动下为 Mirano Continental、Fuse 和 Who's Who's Land 创作的标志性传单。此次展览体现了博物馆对这些夜间场所…
Balloon's Day Parade · 2018
visit.brussels 于 2018 年 9 月 15 日发布的宣传视频，重点介绍由 Carl De Moncharline 组织的布鲁塞尔漫画节上的气球日大游行。
Fiesta Latina · 2017
在 Bois de la Cambre 举行的 2017年 Fiesta Latina 活动回顾视频和视频报告，由 Carl De Moncharline 组织，感谢名单中列出了相关团队和合作伙伴。
Balloon's Day Parade · 2017
visit.brussels 于 2017 年 9 月 9 日发布的视频，展示了由 Carl De Moncharline 协调的布鲁塞尔漫画节上的气球日大游行。
Fiesta Latina · 2016
2016年，Fiesta Latina Brussels在Bois de la Cambre奏响拉丁音乐的节奏，这是一场融合了文化、舞蹈和布鲁塞尔节日氛围的色彩斑斓的庆典。该活动于2003年在Place du Châtelain由Bruno Bayet发起，前几届由Carl De Moncharline共同组织，后从2006年起由他及其团队和合作伙伴接手。如今，它已成为比利时最大的拉丁美洲文化盛事，每年持续吸引数万名参与者。这段活动花絮…
Balloon's Day Parade · 2016
visit.brussels 于 2016 年 9 月 4 日发布的回顾视频，内容是 Carl De Moncharline 在漫画节期间组织的气球日大游行。
Balloon's Day Parade · 2016
Truc-Troc · 2015
2015年1月16日在Bozar举办的Truc Troc展览视频回顾，由Carl De Moncharline执导。
Fiesta Latina · 2015
记录在 Bois de la Cambre 举办的 2015 年 Fiesta Latina 节氛围的报道与活动后片，由 Carl De Moncharline 领导，致谢名单中包含相关团队与合作伙伴。
Balloon's Day Parade · 2015
2015年9月4日、5日和6日，在 Comic Strip Festival 和 Balloon's Day Parade 期间，第二届 Spirou Festival 在布鲁塞尔皇家公园热烈举行。三天里，数千名参观者前来，通过讲座、签名会与工作坊，与自己喜爱的作者见面。这篇视频报道记录了该节庆的精神与独特氛围。
Brussels Fashion Days · 2014
这部活动回顾影片由 Implausibleblog 在2014年 Brussels Fashion Days 期间制作，该活动由 Carl De Moncharline 创立。影片记录了这场致力于比利时时尚与设计的活动中的时装秀、作品展示与现场氛围。
Brussels Fashion Days · 2014
这部活动回顾影片聚焦于 Carl De Moncharline 创立的 Brussels Fashion Days 第三届活动期间的 No Limit 展位。视频展示了展会中心地带的推广互动活动、合作伙伴空间的布局，以及与参观者的交流。影片集中呈现了品牌与合作伙伴如何融入这场致力于比利时时尚的活动。
The Wood · 2014
2014 年 8 月 20 日在 The Wood Brussels 举行的活动回顾视频，由 Atmosphrik 和 Mihai Popoviciu 进行演出，Carl De Moncharline 担任艺术指导。
The Wood · 2014
2014 年 10 月 3 日在 The Wood Brussels 举行的活动回顾视频，庆祝 Electronical Reeds 成立四周年，Carl De Moncharline 担任艺术指导。
Roller Parade · 2014
2014年滚轴自行车游行的回顾片，由Carl De Moncharline指导，与Tirlemont Sugar和T-Man合作举办。
Balloon's Day Parade · 2014
2014年9月6日，在线媒体 ImplausibleBlog 专门报道了布鲁塞尔气球日游行（Brussels Balloon's Day Parade），该活动由 Carl De Moncharline 构思并指导。
Truc-Troc · 2014
Booking Pop 关于 Carl De Moncharline 于2014年2月在布鲁塞尔艺术中心（BOZAR）举办的 Truc Troc 活动的网络报道。
Balloon's Day Parade · 2014
2014年9月6日发布的网络视频，由 Carl De Moncharline 制作，记录了布鲁塞尔的 Balloon's Day Parade。
Cointreau Fizz Garden · 2013
En 2013, Carl de Moncharline participe à la coproduction du Cointreau Fizz Garden, événement exceptionnel organisé à Bruxelles pour le lancement mondial du cocktail Cointreau Fizz. Du 21 mars au 20 avril, l'Espace Chambo…
Brussels Fashion Days · 2013
这篇由时尚博主 Mamascarade 制作的报道深入由 Carl De Moncharline 共同创立的第二届 Brussels Fashion Days 现场。视频置身于 The EGG Brussels 的后工业建筑之中，以自然即兴的视角呈现活动：时装秀、后台与整体氛围。这份生动的见证记录了时尚社群与内容创作者对布鲁塞尔这一重要活动的热情。
Brussels Fashion Days · 2013
这篇报道由 Erasmushogeschool Brussel 的学生媒体 Erasmix 制作，以新闻视角观察了由 Carl De Moncharline 共同创立的第二届 Brussels Fashion Days。报道拍摄于由旧仓库改建的 The EGG 内部，重点呈现时装秀、后台，以及对年轻设计师的访谈。它是一份珍贵的见证，记录了未来媒体从业者对这一致力于比利时风格与工艺的平台的关注。
Brussels Fashion Days · 2013
这部回顾影片由 Booking Pop Web TV 在为期三天的第二届 Brussels Fashion Days 结束时制作，该活动由 Carl De Moncharline 创立。影片拍摄于由旧仓库改建的 The EGG，回顾了2013年10月18日、19日和20日聚会期间的时装秀、设计师作品展示与现场氛围。
Truc-Troc · 2013
Wolubilis 报道了2013年2月在BOZAR举办的 Truc Troc 展览，其中特写了组织者 Carl De Moncharline。
Brussels Fashion Days · 2012
这部幕后纪录片揭示了由 Carl De Moncharline 共同创立、于2012年举办的首届 Brussels Fashion Days 的幕后故事。通过 Booking Pop Web TV 的报道，视频深入这场开创性活动的筹备核心，该活动旨在支持年轻设计师并推广比利时时尚。影片揭示了为设计师提供真正的展示平台、并在首都中心让这一领域走向大众所需的细致组织工作。
Brussels Fashion Days · 2012
这部活动回顾影片由 Booking Pop Web TV 在首届 Brussels Fashion Days 结束时制作，该活动由 Carl De Moncharline 创立。影片回顾了最初的时装秀、设计师作品展示，以及对参观者的接待。这份影像档案记录了这一位于首都中心、致力于时尚行业与比利时精湛技艺的平台的诞生。
Truc-Troc · 2012
Booking Pop 关于2012年 Carl De Moncharline 在艺术中心（BOZAR）举办的 Truc-Troc 活动的网络报道。
Fiesta Latina · 2012
由 Booking Pop 制作的2012年在 Bois de la Cambre 举办的 Fiesta Latina 官方活动回顾视频，该活动由 Carl De Moncharline 组织，相关团队和合作伙伴列于鸣谢名单中。
The Wood · 2011
2011年1月27日，The Wood Brussels的Aftermovie，Woodstrasse之夜与Tagtraum Music Tour Diary，由Carl De Moncharline担任艺术指导。
Balloon's Day Parade · 2011
这则电视宣传片在 RTBF 播出，为2011年9月10日星期六举行的当届活动宣传，宣布由 Carl De Moncharline 发起的 Balloon's Day Parade 重返首都中心。视频展示了以比利时及国际漫画主要角色为造型的巨型气球飞翔于城市上空。这份视听档案呈现了为这一大型公众活动制作的地区传播宣传活动。
Truc-Troc · 2011
2011年2月4日在Bozar举办的Truc Troc活动的视频档案，由Carl De Moncharline制作。
Roller Parade · 2010
Carl De Moncharline制作的2010年Evian快闪档案视频，在Bois de la Cambre的滚轴游行期间组织。
Truc-Troc · 2010
Seetiz 视频报道，在 BOZAR 拍摄，记录2010年 Truc-Troc 活动，由组织者 Carl De Moncharline 参与。
Fête du Progrès · 2009
Le 2 mai 2009, Carl De Moncharline célèbre les dix ans de la Fête du Progrès, un événement bruxellois dont il est le créateur et le directeur artistique. Ce reportage réalisé par Seetiz témoigne de l'aventure originale q…
The Wood · 2009
The Wood，这家位于 Bois de la Cambre 入口的传奇俱乐部，因其 House 之夜而深受布鲁塞尔夜猫子们的喜爱。其网站在 2002 年 Creative Belgium Awards（比利时广告界的“奥斯卡”）上获奖，该网站由 Emakina 制作，Carl De Moncharline 担任艺术总监。
Balloon's Day Parade · 2009
美联社关于2009年2月28日布鲁塞尔气球节游行的档案影像，该活动由Carl De Moncharline构思并担任艺术总监。
Balloon's Day Parade · 2009
为2009年布鲁塞尔气球节游行制作的广告，由Carl De Moncharline担任艺术总监。
Balloon's Day Parade · 2009
为2009年2月28日布鲁塞尔气球节游行期间的Visit Brussels制作的宣传片，该活动由Carl De Moncharline构思并指导。
Truc-Troc · 2009
Seetiz 对2009年1月31日在 BOZAR 举办的2009年 Truc-Troc 活动的报道，Carl De Moncharline 参与。
Fiesta Latina · 2009
Seetiz 关于 2009 年由 Carl De Moncharline 在 Avenue Louise 组织的 Fiesta Latina 的报告与活动回顾短片，致谢名单中已列出团队及合作伙伴。
Fiesta Africa · 2009
Fiesta Africa · 2009
Roller Parade · 2008
En 2008, Carl de Moncharline voit la Roller Parade érigée en véritable vitrine touristique par visit.brussels, l'agence officielle de promotion de la Région de Bruxelles-Capitale. Fruit d'une collaboration étroite avec l…
Louise High Heels · 2008
Le 1er juillet 2008, Carl de Moncharline, créateur de la Louise High Heels en collaboration avec Bernadette Erpicum, General Manager chez Brussels Louise, préparait la grande course en talons aiguilles du 6 juillet sur l…
Ouais, les filles. Pour une course, il y a deux choses. Il y a le corps, le body, qui vont permettre de courir, mais surtout, ce qui est important, c'est l'esprit. Chaque foulée est importante. Et pour ça, il faut que le corps et l'esprit, ils soient tous en même temps. On peut le séparer. Et pour ça, on va travailler, on va travailler le cri, d'accord ? On va sortir un cri. Je veux vous entendre crier, les filles. Viens. Dominique Mondols ! On a heels ! Ça vous ferait jamais un 100 mètres, avec ça. Je veux entendre le cri. Je vais pas entendre un on a heels. Il y a rien là-dedans. Dominique Mondols ! On a heels ! On a heels ! Tu me fais on a heels. On a heels ! Tu vas faire mal aux oreilles. Je n'entends rien ! Je n'entends rien ! On a heels ! On a heels ! Sur sa belle caméra ! Dominique ! Dominique Mardas ! OK, ça c'est disparé, on va travailler le body maintenant. Les talons vont pas se casser ! Les talons vont pas se casser ! Dominique Mandel va tout donner ! Dominique Mandel va tout donner ! Sur 100 mètres on va sprinter ! Sur 100 mètres on va sprinter ! Sans la bibine se casser ! Sans la bibine se casser ! Go ! Go ! Munich ! Munich ! Dominique ! Dominique ! On fait un petit essai ? Attention, à vos marques ! Je vais m'étirer. Attention, à vos marques, prêt ? Allez ! Allez, on court ! Allez, on court ! C'est pas mal ! Mais on recommence. Contre, possibilité aussi de départ, de départ debout. Un maximum d'explosivité au départ, hein. Très bien, on va faire la station debout, comme ceci, vous voyez. On prend bien appui, on se, on a bien appui sur la pointe des pieds, oui, bien appui sur la pointe des pieds, on bascule bien le poids du corps et hop, on est parti, ok ? C'est bien ? C'est très bien. Voilà, ça c'est pas mal, c'est pas mal ça. Ça donne un maximum de départ, c'est comme ça. Bon, de temps en temps, il est parmi un petit coup de coude, si il prend quelqu'un sur son genou. Mais discret, discret, discret, discret, ok ? Attention. Prêt ? À vos marques ? Prêt ? C'est bien ! Pousse là, pousse ! Voilà ! C'est très très bien, c'est, on va, on va refaire un tour, allez. Si, si, on va refaire un petit tour, allez, un petit tourné. Si, si, il faut travailler l'endurance les filles, ça va être une grosse journée. Dominique Monnens ! Dominique Monnens ! Voilà. Voilà. Les filles ! Bon alors, les filles ! Les filles ! Les filles !
Fête du Progrès · 2008
Le 30 avril 2008, Carl De Moncharline poursuit l'aventure de la Fête du Progrès, un événement bruxellois dont il est le créateur et le directeur artistique. Ce reportage réalisé par Seetiz nous replonge dans l'atmosphère…
Truc-Troc · 2008
2008 年 1 月 11 日，Bozar (Centre for Fine Arts) 举办了第 4 届 Truc Troc，这是一个艺术品不是用来购买而是用来交换的展览。该活动围绕“以物易物”的原则建立，汇集了约一百位知名和新兴艺术家，邀请公众提出原创的交换条件以换取艺术品。这一概念于 1975 年诞生于 Woluwe-Saint-Lambert，由雕塑家 Mon De Rijck 和画家 Charline Mahy 构思，2004…
Truc-Troc · 2008
Seetiz 关于2008年 Truc-Troc 艺术周末的报道，在艺术中心 (BOZAR) 举行，Carl De Moncharline 参与。
Louise High Heels · 2008
La Libre Belgique 关于 2008 年 7 月 6 日路易丝高跟鞋赛跑的视频报道，该活动由 Carl De Moncharline 构思。
Fiesta Latina · 2006
2006 年在 Place du Châtelain 举行的 Fiesta Latina 宣传片第二版，由 Emakina 制作，Carl De Moncharline 担任艺术总监，Serge Vanderheyden 以及致谢名单中列出的团队与合作伙伴共同参与。
Fiesta Latina · 2006
在 Place du Châtelain 举办的 2006 年 Fiesta Latina 节宣传片，由 Emakina 创作，Carl De Moncharline 领导，Serge Vanderheyden 以及致谢名单中的团队与合作伙伴共同参与。
Roller Parade · 2006
在 JIM 电视台播出的电视广告，旨在宣传由 Carl De Moncharline 制作的 2006 年 Vittel Roller Parade 活动。
Fiesta Latina · 2005
在 RTBF 播出的电视广告，预告 2005 年在 Ixelles 的 Place du Châtelain 举行的 Fiesta Latina。二十秒的沙滩、狂欢与舞蹈画面，结尾展示了艺术节视觉图及合作伙伴：Euro Millions, Viva Bruxelles, La Deux, La Tribune de Bruxelles, La Dernière Heure - Les Sports, La Libre Belgique…
Fiesta Latina · 2005
2005 年在 Place du Châtelain 举行的 Fiesta Latina 宣传广告第二版，由 Carl De Moncharline 带领其团队及合作伙伴（Euro Millions, Viva Bruxelles, La Deux, La Tribune de Bruxelles, La Dernière Heure - Les Sports, La Libre Belgique, Passe-Partout）共同完成…
Fiesta Latina · 2005
在 Place du Châtelain 举行的2005年 Fiesta Latina 宣传广告的首个版本，由 Carl De Moncharline 及其团队和合作伙伴（Euro Millions, Viva Bruxelles, La Deux, La Tribune de Bruxelles, La Dernière Heure – Les Sports, La Libre Belgique, Passe-Partout）共同制作…
Roller Parade · 2005
在 Plug 电视台播出的宣传活动，宣布由 Carl De Moncharline 组织的 2005 年 Vittel Roller Parade 活动。
Roller Parade · 2005
在 JIM 电视台播出的电视广告，作为 Carl De Moncharline 导演的 2005 年 Vittel Roller Parade 宣传活动的一部分。
Roller Parade · 2005
2005年Roller Parade Summer Tour（由Carl De Moncharline策划）的宣传广告，内容为与Apple的合作关系。
Roller Parade · 2004
从警用直升机拍摄的2004年Roller Parade游行存档画面，该活动由Carl De Moncharline组织。
Roller Parade · 2004
2004年Roller Parade期间与警方进行的安保简报存档画面，其中有Joël Dekeyser和Carl De Moncharline。
Semaine de l'Énergie · 2003
能源周（2003 年 10 月 10 日至 17 日）的宣传影片。该活动由 IBGE-BIM 和 ABEA / Centre Urbain 应布鲁塞尔住房与能源国务秘书 Alain Hutchinson 的倡议组织。Carl De Moncharline 负责艺术指导，并与 Emakina 合作制作传播内容。
Roller Parade · 2003
2003年6月在Kinepolis电影院播放的Roller Parade Summer Tour宣传广告。
La Fête des Voisins · 2003
2003年5月27日邻里日的电视商业广告，由卡尔·德·蒙夏林（Carl De Moncharline）主持。
L'Impérial · 2003
Julien Delbrouck Quartet 于2003年4月8日在 Imperial Premium Bar Brussels 演奏 Three of Love 的录音，由 Carl De Moncharline 运营和策划。
Roller Parade · 2002
2002年6月22日Evian Roller Parade的视频存档，由Screen Création制作，Sylvain Coppens执导。
Who's Who's Land · 2001
Web 早期的一个先锋案例。在 2000 年代初期，当 Flash 还是一种小众工具时，.swf 格式就已经被用于制作动画邀请函，远在社交媒体和 stories 出现之前。这份时期的数字邀请函是为 New Model Agency 的新书和网站发布派对制作的，该活动由 Brigitte Durruty Leloup 在 Carl De Moncharline 经营的场馆 Who's Who's Land 组织。这是 Web 1.0 时代…
Who's Who's Land · 2001
2001年6月，在布鲁塞尔的 Who's Who's Land，在 Carl De Moncharline 的指导下，以 'Gloubi-Boulga Land' 开启了其 'Nostalgia' 三部曲之夜，这是一个庆祝怀旧和当时流行的 'kitsch-mania' 的活动。由 Patrick Chaboud 创作并表演的著名木偶 Malvira 主持，这一系列夜晚汇集了 Chantal Goya、Casimir (Yves Brun…
Who's Who's Land · 2001
2001年New Model Agency在Who's Who's Land举办的新书和网站发布会活动档案片段，卡尔·德·蒙夏林（Carl De Moncharline）参与其中。
Who's Who's Land · 1999
1999 年，法国道路安全机构发起了“ORGANISONS-NOUS：开车的人就是不喝酒的人”宣传活动，并获得欧洲共同体委员会的支持。这项预防酒驾的活动基于一个简单理念：出门参加夜间活动前，提前安排好一位保持清醒的人，负责把大家安全送回家。影片在 Who's Who's Land 拍摄，这是 Carl De Moncharline 在比利时创立的著名布鲁塞尔夜店。作为 1990 年代末比利时首都夜生活的标志性场所，该夜店在此承载了一项面…
Who's Who's Land · 1999
1999年：《Résistance》（Bloody Mary Mix），由Eric Powa B、Junior Jack（未来将以与The Cure乐队的Robert Smith合作的《Stupidisco》、《My Feeling》和《Da Hype》等热门歌曲而闻名全球的DJ兼制作人）以及俱乐部艺术总监Carl De Moncharline在Who's Who's Land现场录制。这首曲目源于对1999年1月10日星期日由120名…
Who's Who's Land · 1995
1995年在MCM播出的电视广告，为Carl De Moncharline创作的Who's Who's Follies 3派对制作。
Mirano Continental · 1994
1994 年，Mirano Continental 举办了 Who's Who's Follies，这是一个由 DJ Olivier Gosseries 和 DJ Jos 混音的夜晚，由 Carl De Moncharline 担任艺术指导。
Mirano Continental · 1993
1993年4月4日 RTBF 电视新闻关于布鲁塞尔 Mirano Continental 门外枪击案的报道。由 Françoise Palange 主持，Marianne Klaric 报道。
Mirano Continental
托马·普卡罗·德卡罗与吕克·雅邦执导的纪录片预告片，讲述1980年代的米拉诺大陆俱乐部。档案影像与亲历者讲述了这家俱乐部如何诞生于圣若斯滕诺德的一座旧电影院，其手绘布景，以及那段深刻影响布鲁塞尔夜生活的人文冒险；此后卡尔·德·蒙夏尔林出任艺术总监。
Mirano Continental
由托马·普卡罗·德卡罗为 Abyssal Process 执导，本片汇集了米拉诺大陆开创者阿尔多·吉利、保罗·斯特克与让-皮埃尔·梅尔斯的讲述。俱乐部于1981年开设在圣若斯滕诺德的一座旧电影院内，以手工布景、技术创新和严格的门口甄选致敬54号工作室。他们讲述了这一场所的诞生，其后由卡尔·德·蒙夏尔林接棒。